Tal Bassline 101 Serial 17: How to Get the Best Analog Bass Synth Sound
Tal Bassline 101 Serial 17: How to Get the Best Analog Bass Synth Sound
If you are looking for a monophonic bass synthesizer that can emulate the popular Roland SH 101 with accuracy and ease, you might want to check out Tal Bassline 101 Serial 17. This plugin by TAL Software is a powerful and versatile tool that can produce the raw and authentic sound of analog devices without any effects. In this article, we will show you how to get the best out of this plugin and create some amazing bass sounds for your music.
Tal Bassline 101 Serial 17
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What is Tal Bassline 101 Serial 17?
Tal Bassline 101 Serial 17 is a virtual instrument plugin that can be used in any DAW that supports VST, VST3, Audio Unit or AAX formats. It is a very accurate emulation of the popular SH 101, a monophonic bass synthesizer that was released by Roland in 1982. The SH 101 was known for its simple and intuitive interface, its powerful and smooth filter, and its distinctive sound that can be heard in many genres of music, such as techno, electro, house, acid, and more.
Tal Bassline 101 Serial 17 replicates the features and functions of the original hardware device, but also adds some enhancements and improvements. For example, it has a poly mode that allows you to play up to six voices at once, a filter-FM modulation that lets you use an oscillator waveform as a modulation source for the filter cutoff, a de-clicker mode that reduces the clicks and pops when using slow envelopes, and a built-in arpeggiator and step sequencer with up to 96 steps and recording option. It also comes with more than 300 presets that cover a wide range of styles and sounds.
How to Use Tal Bassline 101 Serial 17?
Tal Bassline 101 Serial 17 has a very user-friendly and intuitive GUI that resembles the original SH 101. It has four main sections: oscillator, filter, envelope, and sequencer/arpeggiator. Here are some tips on how to use each section:
Oscillator: This section lets you choose between three waveforms: sawtooth, square, and sub-oscillator. You can also adjust the pulse width of the square wave, the level of the sub-oscillator, and the tuning of the oscillator. You can also activate the noise generator for some extra grit and texture.
Filter: This section features a self-resonating zero feedback delay low pass filter with a 24 dB slope. You can adjust the cutoff frequency, the resonance amount, the envelope modulation amount, and the keyboard tracking amount. You can also activate the filter-FM modulation by choosing one of the three waveforms as a modulation source.
Envelope: This section controls the amplitude envelope of the sound. You can adjust the attack time, decay time, sustain level, and release time. You can also choose between two portamento modes: original (RC) or linear.
Sequencer/Arpeggiator: This section lets you create rhythmic patterns using either an arpeggiator or a step sequencer. You can choose between different sync modes (host, MIDI clock, or not on), different directions (up, down, up/down), different octaves (1-4), different gate times (50%-100%), and different swing amounts (50%-75%). You can also record your own sequences using the keyboard or import MIDI files using drag and drop.
How to Get the Best Sound from Tal Bassline 101 Serial 17?
Tal Bassline 101 Serial 17 is capable of producing a wide range of bass sounds, from deep and warm to bright and punchy. Here are some tips on how to get the best sound from this plugin:
Experiment with different waveforms and pulse widths to get different timbres and harmonics.
Use high resonance settings to create self-oscillating sounds that can be used as leads or effects.
Use filter-FM modulation to create complex and dynamic sounds that change over time.
Use slow envelopes and de-click e0e6b7cb5c